Restoration of Antique Nativity
The historic church's Nativity Scene was brought out to be set up for its fiftieth Christmas, but the group was very worn-looking and needed repair and restoration. Most Certainly! It was clear that the group was much loved by the people and so I just loved it, too. Later that year came the easy opening to ask Father if I might restore the figures, to say thank you for the community support for me while healing from an injury. I had the interest and love and skills.
Find full photo gallery https://ellefagan.com/creche-restoration-2007
A Nativity Story
BACKGROUND: Around 2000, I came to live in Vernon Rockville, Connecticut, recuperating from injuries from an accident. Just when I thought my life and work would be downed, maybe permanently, new opportunities found me, like the task of restoring a beloved old collection of figures for the Creche, or manger scene, at a local church.
I might restore the figures, to say thank you for the community support for me while healing - especially since I had the interest and love and skills. Father White mentioned that the creche had been there when he arrived but that he was retiring and could not take up the project himself. But the pastor who succeeded him, Father Rick Ricard, took up the project happily.
BEGIN THE TASK: We planned, researched the specifics of tech needs for old, early fiberglass; shopped for the supplies and got to work. Five minutes on the job and , everyone on the village park shoppes area knew of the project ! It was clear that the Old Nativity Figures were important to them. I was thrilled with the interest and said so. "It wouldn't be Christmas without that Creche", one said, " I am 55, and they were here as far back as I can remember." I felt much better supported in the work ahead.
BLESSING: The Old Convent Garage was my studio and 'Step One', of course, was assessment of the details of the task. I took "Before" photos of the group of figures, for reference and comparison later, and smiled when this "odd" exposure effect presented to me at upload. The image of this Glowing Infant figure was inspiring, as I set to work.
THE TASK DELIVERS AN EXCITING SURPRISE ! : Following the norm for the work of restoring fourteen life-sized figures involved: Research into Provenance, technical needs and update research for best materials/methods/process.
Inspection revealed incised ID numbers and letters and a name at the foot of the pedestals. And internet search was a revelation: the figures were designed by Dick Wiken, a world-class sculptor with many fine achievements to his credit, and the man who designed the head for the famous WPA Doll. Big Story!
I took the revelations to the church. What a delightful moment, and happy hum among us, like on the "Antiques Roadshow" program many of us never miss. Further investigation resulted in official respect for the restoration. It would take longer to do than I could afford to gift. And I was paid.
MORE REVELATIONS: The Community must have truly loved that group! After more than 50 years, all 14 figures were there and intact ! When the word got around about the restoration, a few men of the parish found me and they were jubilant: there had been a special care group for the figures. Over time, the numbers of the group dwindled and faded, but remained. One of the now-mature "apprentices" , was thrilled to find me to celebrate this restoration of spirit as well as figures.
PROCESS: The very old paint was pale and chipped and flaked, efforts to repair it in the past were not lasting. Most of the figures showed pitting - a natural dehydration effect with old fiberglass "Blo-molds". Many had cracks and the delicate Infant Jesus figure had lost a thumb; a toe and one arm had large holes in two places. At every step, this project was dripping with symbolism.
The lovely features would shine again - effects, and details in costumes and trimmings meant a fine and fancy finish to it all. "Planning my play" fixed an issue with thinner fumes; I would do all the related tasks, then open the fumey stuff, work fast , and close it up, then finish for the day.
I began with the Angel - so she could bless the project and keep an eye on me while I worked. The effects I was able to obtain were very encouraging. The infant's injuries wanted more attention. I sang and prayed and worked with a feeling of privilege, continuing on to the Statues of Mary and Joseph; the Shepherds and Wise Men; the Lambs and the good Donkey. The faithful animals were sentinels as worked.
Dirt and flaking were removed, and surfaces smoothed. The putty/filler repaired the cracks and the parish sexton did some wood restorations to the wooden support for the donkey and found an area heater when the weather cooled, and extra lights, when the days shortened. Then the primer coat to seal and protect was followed by the new paints for each figure and that, in turn, sealed and shined with clear topcoat. Completed well. And all in homage to the Holy Family who changed the world.
DONE AND TIME TO COME TO THE STABLE: Time to set up the Nativity Figures had arrived, and the last sweep with the paintbrush on the rosy cheek of the Infant Jesus figure! The men of the parish set up the life-sized lighted wooden stable, nestled in beds and stacks of hay.
Once again, the Angel was called on first - and her figure attached over the door of the stable to hover in exultation.
Donkey, lambs, shepherds, Magi, and finally Mary and Joseph completed the scene of waiting for the Coming of the Savior. The Infant figure would not be placed till near Christmas Eve. A photo of the creche I restored appeared, at the Saint Bernard Church website Home page, front and center at the 2007 Christmas season. There was also a note about the Restoration and the invitation to the parish to join the annual event of caroling and placing the Infant in the creche on Dec.22, 2007 after the 5pm Vigil Mass. In December, it was already evening at that time of day, and so lunaria were lit and placed for their glow along the path from church to site of the creche - all followed and gathered round and began the carols.
Then, Father Rick Ricard, pastor, brought the Infant figure from the rectory to the site, and presented it to a little boy and a little girl, who, together, placed the Infant in the manger. I sang to the Infant represented by that figure, often, with it in my lap, while at the work the past months, and this time, I was joined by quite a chorus and lead by our priests.
They say it was chilly out, but not at the Creche that night!
I was glad we had chosen the super-weatherproof paints used on fiberglass yachts - it was clear and cold, but, even if it was freezing rain, the glow of the figures would win through for many years. In fact, it glows naturally with an nearly-spooky photo-realistic effect - if the air gets very cold the skin tones change hue, just as though they were live. And then when it warms, the color returns to normal.
I was enjoying the pageant, at the back of the crowd - when Father called me up to the front of the group to recognize me, personally, and the work involved - I used to enjoy hearing the word "gratified" when others were in my place, and now that word was mine to say and feel. The moment was the kind of treasure nothing can mar.
All was merry and bright! Caroling continued and then a cheer followed by the invitation from Father to join the reception at the rectory, which proceeded to the church hall for refreshments and more chat, to make a special evening marking the completion and beginning of special things!
NEW! Latest book about the famous Sculptor features these figure molds, including the famous WPA Doll's head, and leading architectural sculptures.
Dick Wiken, Milwaukee Architectural Sculptor
FULL PHOTO GALLERY OF THE PROJECT AT https://ellefagan.com/creche-restoration-2007
Restoration of Antique Nativity - FDR/WPA/FAP
The historic church's Nativity Scene was brought out to be set up for its fiftieth Christmas, but the group was very worn-looking and needed repair and restoration. Most Certainly! It was clear that the group was much loved by the people and so I just loved it, too. Later that year came the easy opening to ask Father if I might restore the figures, to say thank you for the community support for me while healing from an injury. I had the interest and love and skills.
Find full photo gallery https://ellefagan.com/creche-restoration-2007
A Nativity Story
BACKGROUND: Around 2000, I came to live in Vernon Rockville, Connecticut, recuperating from injuries from an accident. Just when I thought my life and work would be downed, maybe permanently, new opportunities found me, like the task of restoring a beloved old collection of figures for the Creche, or manger scene, at a local church.
I might restore the figures, to say thank you for the community support for me while healing - especially since I had the interest and love and skills. Father White mentioned that the creche had been there when he arrived but that he was retiring and could not take up the project himself. But the pastor who succeeded him, Father Rick Ricard, took up the project happily.
BEGIN THE TASK: We planned, researched the specifics of tech needs for old, early fiberglass; shopped for the supplies and got to work. Five minutes on the job and , everyone on the village park shoppes area knew of the project ! It was clear that the Old Nativity Figures were important to them. I was thrilled with the interest and said so. "It wouldn't be Christmas without that Creche", one said, " I am 55, and they were here as far back as I can remember." I felt much better supported in the work ahead.
BLESSING: The Old Convent Garage was my studio and 'Step One', of course, was assessment of the details of the task. I took "Before" photos of the group of figures, for reference and comparison later, and smiled when this "odd" exposure effect presented to me at upload. The image of this Glowing Infant figure was inspiring, as I set to work.
THE TASK DELIVERS AN EXCITING SURPRISE ! : Following the norm for the work of restoring fourteen life-sized figures involved: Research into Provenance, technical needs and update research for best materials/methods/process.
Inspection revealed incised ID numbers and letters and a name at the foot of the pedestals. And internet search was a revelation: the figures were designed by Dick Wiken, a world-class sculptor with many fine achievements to his credit, and the man who designed the head for the famous WPA Doll. Big Story!
I took the revelations to the church. What a delightful moment, and happy hum among us, like on the "Antiques Roadshow" program many of us never miss. Further investigation resulted in official respect for the restoration. It would take longer to do than I could afford to gift. And I was paid.
MORE REVELATIONS: The Community must have truly loved that group! After more than 50 years, all 14 figures were there and intact ! When the word got around about the restoration, a few men of the parish found me and they were jubilant: there had been a special care group for the figures. Over time, the numbers of the group dwindled and faded, but remained. One of the now-mature "apprentices" , was thrilled to find me to celebrate this restoration of spirit as well as figures.
PROCESS: The very old paint was pale and chipped and flaked, efforts to repair it in the past were not lasting. Most of the figures showed pitting - a natural dehydration effect with old fiberglass "Blo-molds". Many had cracks and the delicate Infant Jesus figure had lost a thumb; a toe and one arm had large holes in two places. At every step, this project was dripping with symbolism.
The lovely features would shine again - effects, and details in costumes and trimmings meant a fine and fancy finish to it all. "Planning my play" fixed an issue with thinner fumes; I would do all the related tasks, then open the fumey stuff, work fast , and close it up, then finish for the day.
I began with the Angel - so she could bless the project and keep an eye on me while I worked. The effects I was able to obtain were very encouraging. The infant's injuries wanted more attention. I sang and prayed and worked with a feeling of privilege, continuing on to the Statues of Mary and Joseph; the Shepherds and Wise Men; the Lambs and the good Donkey. The faithful animals were sentinels as worked.
Dirt and flaking were removed, and surfaces smoothed. The putty/filler repaired the cracks and the parish sexton did some wood restorations to the wooden support for the donkey and found an area heater when the weather cooled, and extra lights, when the days shortened. Then the primer coat to seal and protect was followed by the new paints for each figure and that, in turn, sealed and shined with clear topcoat. Completed well. And all in homage to the Holy Family who changed the world.
DONE AND TIME TO COME TO THE STABLE: Time to set up the Nativity Figures had arrived, and the last sweep with the paintbrush on the rosy cheek of the Infant Jesus figure! The men of the parish set up the life-sized lighted wooden stable, nestled in beds and stacks of hay.
Once again, the Angel was called on first - and her figure attached over the door of the stable to hover in exultation.
Donkey, lambs, shepherds, Magi, and finally Mary and Joseph completed the scene of waiting for the Coming of the Savior. The Infant figure would not be placed till near Christmas Eve. A photo of the creche I restored appeared, at the Saint Bernard Church website Home page, front and center at the 2007 Christmas season. There was also a note about the Restoration and the invitation to the parish to join the annual event of caroling and placing the Infant in the creche on Dec.22, 2007 after the 5pm Vigil Mass. In December, it was already evening at that time of day, and so lunaria were lit and placed for their glow along the path from church to site of the creche - all followed and gathered round and began the carols.
Then, Father Rick Ricard, pastor, brought the Infant figure from the rectory to the site, and presented it to a little boy and a little girl, who, together, placed the Infant in the manger. I sang to the Infant represented by that figure, often, with it in my lap, while at the work the past months, and this time, I was joined by quite a chorus and lead by our priests.
They say it was chilly out, but not at the Creche that night!
I was glad we had chosen the super-weatherproof paints used on fiberglass yachts - it was clear and cold, but, even if it was freezing rain, the glow of the figures would win through for many years. In fact, it glows naturally with an nearly-spooky photo-realistic effect - if the air gets very cold the skin tones change hue, just as though they were live. And then when it warms, the color returns to normal.
I was enjoying the pageant, at the back of the crowd - when Father called me up to the front of the group to recognize me, personally, and the work involved - I used to enjoy hearing the word "gratified" when others were in my place, and now that word was mine to say and feel. The moment was the kind of treasure nothing can mar.
All was merry and bright! Caroling continued and then a cheer followed by the invitation from Father to join the reception at the rectory, which proceeded to the church hall for refreshments and more chat, to make a special evening marking the completion and beginning of special things!
NEW! Latest book about the famous Sculptor features these figure molds, including the famous WPA Doll's head, and leading architectural sculptures.
Dick Wiken, Milwaukee Architectural Sculptor
FULL PHOTO GALLERY OF THE PROJECT AT https://ellefagan.com/creche-restoration-2007
Journey - The Shelter Quilt is Home.
UPDATE December 14, 2016
LIfelong arts and response work with red cross and others, my experience of Operation Hope Shelter for Homeless, in Fairfield Connecticut USA was unique.
Among other things, at the end of my involvement there, there was this quilt: made from "Bits and Pieces" of fabrics used to decorate the place, to alter clothing for residents needing to look good on job interviews etc... Lives whole again, once bits and pieces - as life will do- it's symbolism and being were so intense that only Monday, TWENTY years later, did it find it's home as a gift to the founders of the project. READ ON:
UPDATE Winter Holiday 2017 - to inspire the public to support their local shelters:
LIfelong arts and response work with red cross and others, my experience of Operation Hope Shelter for Homeless, in Fairfield Connecticut USA 1991-1996, was unique. Among other things, at the end of my involvement there, there was this quilt. And it's story.
The Quilt was made from "Bits and Pieces" - remnants of fabrics used to decorate the place or alter clothing for the temp shelter residents, for a nice appearance on job interviews etc. that would allow them to get on with their lives, self-directing and well.
The Shelter Quilt, to me, became a symbol of the shelter itself, which through its services, makes lives whole again - lives that were once in " bits and pieces" - as life will do.
The symbolism of the Shelter Quilt and its being were so intense that it found its home with the project founders no sooner than December 2016, TWENTY years after it was made. May it be a light and inspiration to all who see it. It's even soft and huggy.
For the story - READ ON:
Recovering by helping others, from sudden and early widowhood and then our children's empty nesting, I was Injured in an accident, right after my return from Redcross' ARCODS Assistant Station Manager service. It was so strange, after years of seeing to the emergencies of others, to BE the emergency, myself ! Several short term living arrangements happened while waiting for setup for my care needs. One day, I was the helper, the next day, the helped. Very odd. My background was lovely and my works fine and often above average, but things were barely in hand, after sudden and too-soon widowhood, when the recession hurt our money, so I rescued what I could of the money and paid it to our children to protect them up to their majority. Back home in Connecticut, felt I'd have no problem finding nice new work. But then the injury reduced me to poverty. But my background was very honored, and I proved it , and won a good care setup, and so, I saw that I could still help others, specially, though disabled.
I served at the shelter: scrubbed and disinfected, and lead singing and beauty and computer intimidation and art and resume classes and more. The Redcross work gave confidence and skills. Fine memory gave the LOVE and loving insights and powers.
The quilt : Our Shelter was in a wealthy area, so the clothing donations were smashing but often ill-fitting. So I made clothes or altered them for at least a dozen; made chintz type slipcovers for the shelter furniture and more.
This I did right through the "moments" at shelter - my own injuries' discomforts, plus the "moments" of the others: anguish, crisis, tears, occasional fights, thefts, and the one time I helped remove a very large knife from a heartbroken desperate young wife and mother with drug issues, and ideas to end it all.
There were also the social NIMBI things all shelters suffer; thankfully, these were offset by community and church support.
The Town Food Pantry Garden was across the street from the quite and green town shelter and we, the injured, had been hauling hose across the street daily in the hot weather , to keep it watered and growing. But then, a few yards away the firehouse next to the garden brought the fun fix: the men were cleaning their hoses and simply smiled and told us to get out of the way....ta dahhhh! They simply aimed the firehose over the fence and did so daily afterward. Best garden in town!
There were the gifts from the people in the community - food, music and invitations to join in the nice social events, and famiy fun, to make those at the shelter feel less like social lepers...so much good was done!
For some reason, when I did the sewing there, I saved all the fabric scraps from it, and, when my disability arrangements were made I moved on. One day, I found the scrap bag and thought , philosophically: wow! this would make "Quite a Quilt" - I cried and laughed as I pinned and sewed, and sometimes shook with fear, remembering - all alone in my lovely new bungalow.
"Bits and Pieces" I named it from the comments of one of the women at the time, referring to the famous old rock song of the same name. Seemed right. Then , to be sure to get on with it, I labelled some of the remnants on the quilt - this was from a woman's new work uniform, and that one from a man's slacks alteration...etc. .... and folded it up and packed it carefully AWAY. End. Resolved. Done. AWAY.
Every few years I'd pull it out and see how I was doing - I am so much more than fine! Busy happy and in the shows and regaining cash after all that injury before I am too old.
Thank you so much! I have donated cash and work to surpass my expense, using my artwork, to show my thanks in help to others.
And today, I am sending this on to the place where the fabrics were born - Faifield Connecticut's Operation Hope. They are still there, and helping over twenty years later!
It was presented to one of the founders as a wall-hanging from the loops I thought to include. I am so proud of its message. Few of us make the journey unscathed, but there was the feeling that , if I COULD make that quilt, it was one more sign: THE HOUSE WAS GOOD - and probably still is!
The communications with Operation Hope, after all these years, did not really hold, but the gift was arranged and the quilt shipped. I live on the other side of the state now. And there was reply, when all was done. In accepting the Quilt, last year, this closure was in my emails:
"Hi Elle:
We did receive your beautiful quilt and, as I mentioned, I am going to be presenting it to Reverend David Spollett, our founder, as a 30 year anniversary gift. We are so grateful for this gift. Please know it has sentimental value for us as well.
Sincerely, Carla"
My message - NEVER GIVE UP - there IS redemption and the "Great day in the morning!" Begin.
ESF At OH 1995
- elle
